\u00ab\u00a0And thus we return to end with that paradoxical feature of haunting. Haunting always harbors the violence, the witchcraft and denial that made it, and the exile of our longing, the Utopian. When I am a spooky phantom you want to avoid, when there is nothing but the shadow of a public civic life, when bedrooms and boardrooms are clamorous ghost chambers, deep \u201cwounds in civilization\u201d are in haunting evidence. But it is also the case that some part of me in abeyance of the injury and some part of the missing better life and its potentialities are in haunting evidence too. The ghost always registers the actual \u201cdegraded present\u201d (Eagleton 1991: 131) in which we are inextricably and historically entangled and the longing for the arrival of a future, entangled certainly, but ripe in the plenitude of nonsacrificial freedoms and exuberant unforeseen pleasures. The ghost registers and it incites, and that is why we have to talk to it graciously, why we have to learn how it speaks, why we have to grasp the fullness of its life world, its desires and its standpoint. When a ghost appears, it is making contact with you; all its forceful if perplexing enunciations are for you. Offer it a hospitable reception we must, but the victorious reckoning with the ghost always requires a partiality to the living. Because ultimately haunting is about how to transform a shadow of a life into an undiminished life whose shadows touch softly in the spirit of a peaceful reconciliation. In this necessarily collective undertaking, the end, which is not an ending at all, belongs to everyone.\u00a0\u00bb<\/p>\n
<\/p>\n
\u00ab Et nous revenons ainsi \u00e0 cette caract\u00e9ristique paradoxale de la hantise. La hantise rec\u00e8le toujours la violence, la sorcellerie et le d\u00e9ni qui l’ont engendr\u00e9e, ainsi que l’exil de notre d\u00e9sir, l’utopie. Lorsque je suis un fant\u00f4me effrayant que vous voulez \u00e9viter, lorsqu’il ne reste plus que l’ombre d’une vie civique publique, lorsque les chambres \u00e0 coucher et les salles de r\u00e9union sont des chambres fantomatiques bruyantes, les \u00ab blessures profondes de la civilisation \u00bb sont une preuve hant\u00e9e. Mais il est \u00e9galement vrai qu’une partie de moi en suspens \u00e0 cause de la blessure et une partie de la vie meilleure qui manque et de ses potentialit\u00e9s sont \u00e9galement des preuves hant\u00e9es. Le fant\u00f4me enregistre toujours le \u00ab pr\u00e9sent d\u00e9grad\u00e9 \u00bb (Eagleton 1991 : 131) dans lequel nous sommes inextricablement et historiquement emp\u00eatr\u00e9s, ainsi que le d\u00e9sir ardent de l’arriv\u00e9e d’un avenir, certes emp\u00eatr\u00e9, mais m\u00fbr dans la pl\u00e9nitude des libert\u00e9s sans sacrifice et des plaisirs exub\u00e9rants et impr\u00e9vus. Le fant\u00f4me enregistre et incite, et c’est pourquoi nous devons lui parler avec gentillesse, pourquoi nous devons apprendre comment il parle, pourquoi nous devons saisir la pl\u00e9nitude de son monde de vie, ses d\u00e9sirs et son point de vue. Lorsqu’un fant\u00f4me appara\u00eet, il entre en contact avec vous ; toutes ses d\u00e9clarations puissantes, m\u00eame si elles sont d\u00e9routantes, s’adressent \u00e0 vous. Nous devons lui offrir un accueil hospitalier, mais le r\u00e8glement de compte victorieux avec le fant\u00f4me exige toujours une partialit\u00e9 envers les vivants. Car en fin de compte, hanter, c’est transformer l’ombre d’une vie en une vie intacte dont les ombres se touchent doucement dans un esprit de r\u00e9conciliation pacifique. Dans cette entreprise n\u00e9cessairement collective, la fin, qui n’est pas une fin du tout, appartient \u00e0 tout le monde. \u00bb<\/p><\/blockquote>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Avery Gordon, GHOSTLY MATTERS Haunting and the Sociological Imagination (1997, University of Minnesota Press, 2nde \u00e9dition : 2008) (extrait de la conclusion) \u00ab\u00a0And thus we return to end with that paradoxical feature of haunting. Haunting always harbors the violence, the witchcraft and denial that made it, and the exile of our longing, the Utopian.…<\/p>\n Read More<\/span> Parler gentiment au fant\u00f4me (Avery Gordon)<\/span><\/a>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"Layout":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["entry","author-danah","post-6056","post","type-post","status-publish","format-standard","category-publications"],"yoast_head":"\nParler gentiment au fant\u00f4me (Avery Gordon) - Outside Dana Hilliot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/outsiderland.com\/danahilliot\/parler-gentiment-au-fantome-avery-gordon\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Parler gentiment au fant\u00f4me (Avery Gordon) - Outside Dana Hilliot\" \/>\n<meta property=\"og:description\" content=\"Avery Gordon, GHOSTLY MATTERS Haunting and the Sociological Imagination (1997, University of Minnesota Press, 2nde \u00e9dition : 2008) (extrait de la conclusion) \u00ab\u00a0And thus we return to end with that paradoxical feature of haunting. 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Avery Gordon, GHOSTLY MATTERS<\/p>\n