{"id":5262,"date":"2024-07-01T17:29:55","date_gmt":"2024-07-01T17:29:55","guid":{"rendered":"https:\/\/outsiderland.com\/danahilliot\/?p=5262"},"modified":"2024-07-01T17:31:16","modified_gmt":"2024-07-01T17:31:16","slug":"we-grown-now-minhal-baig","status":"publish","type":"post","link":"https:\/\/outsiderland.com\/danahilliot\/we-grown-now-minhal-baig\/","title":{"rendered":"We Grown now (Minhal Baig)"},"content":{"rendered":"
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\"\"Je suis boulevers\u00e9. C’est un des plus beaux films qu’il m’ait \u00e9t\u00e9 donn\u00e9 de voir.<\/p>\n

We Grown now, de la r\u00e9alisatrice Minhal Baig, suit la trace deux gamins qui vivent dans cette cit\u00e9, Cabrini-Green, \u00e0 Chicago, qui est devenue un des symboles de la s\u00e9gr\u00e9gation raciale aux \u00c9tats-Unis. Que la po\u00e9tesse Dorren Ambrose-Van Lee qualifie de ghetto. Curtis Mayfield, Ramsey Lewis, Jerry Butler, Terry Callier, soit quelques-uns des plus grands musiciens du jazz et de la soul, y sont n\u00e9s ou y ont grandi.<\/p>\n

https:\/\/<\/span>fr.wikipedia.org\/wiki\/Cabrini-<\/span>Green<\/span><\/a><\/p>\n

Ce film me donne l’impression de plonger dans un texte de Saidiya Hartman. L’\u00e9criture des dialogues et des monologues est d’une finesse, d’une justesse. Je crois que rien qu’en lisant le texte du film, je serais en larmes du d\u00e9but \u00e0 la fin (c’est l’\u00e9tat dans lequel m’a plong\u00e9 Wayward Lives, Beautiful Experiments, de Hartman)<\/p>\n

\"\"Tout est sublime. Pure Poetry.
\n(Il y a tout de m\u00eame un moment o\u00f9 j’\u00e9tais en rage. O\u00f9 j’avais envie de tuer des flics. Une rupture incroyable dans la narration. Je lis depuis des ann\u00e9es des livres, notamment am\u00e9ricain, sur le racisme structurel de nos d\u00e9mocraties lib\u00e9rales. Mais certaines sc\u00e8nes du film valent bien des livres que j’ai lus. Les r\u00e9sument tous.)<\/p>\n

Blake Cameron James, Gian Knight Ramirez, les interpr\u00e8tes des deux personnages dont l’amiti\u00e9 porte le film, sont incroyables.<\/p>\n

J’\u00e9tais d\u00e9j\u00e0 amoureux fou de Jurnee Smollett apr\u00e8s l’avoir vue dans Lovecraft Country, et ce film n’a certainement pas arrang\u00e9 mon cas.<\/p>\n

Je songe \u00e0 cette citation de Michael Hanchard que j’ai lue dans le livre de Nasar Meer (The Cruel Optimism of Racial Justice) cet apr\u00e8s-midi :<\/p>\n

\u00ab\u00a0Unequal relationships between dominant and subordinate groups produce unequal temporal access to institutions, goods, services, resources, power, and knowledge \u2026When coupled with the distinct temporal modalities that relations of dominance and subordination produce, racial time has operated as a structural effect upon the politics of racial difference. Its effects can be seen in the daily interactions\u2014grand and quotidian\u2014in multiracial societies.\u00a0\u00bb<\/p>\n

\u00ab\u00a0Les relations in\u00e9gales entre les groupes dominants et subordonn\u00e9s produisent un acc\u00e8s temporel in\u00e9gal aux institutions, aux biens, aux services, aux ressources, au pouvoir et \u00e0 la connaissance… Associ\u00e9 aux modalit\u00e9s temporelles distinctes que les relations de domination et de subordination produisent, le temps racial a eu un effet structurel sur la politique de la diff\u00e9rence raciale. Ses effets sont visibles dans les interactions quotidiennes – grandes et petites – des soci\u00e9t\u00e9s multiraciales.\u00a0\u00bb<\/p>\n

\u2018Afro-Modernity: Temporality, politics, and the African diaspora\u2019, Public Culture, 11(1999, 1): 245\u201368.<\/p>\n

Et bien s\u00fbr W.E.B. Du Bois (Darkwater, 1920)<\/p>\n

\u00ab\u00a0The discovery of personal whiteness among the world\u2019s peoples is a very modern thing\u2019, and one through which has been claimed \u2018the ownership of the earth forever\u2019, where \u2018the black world gets only the pittance that the white world throws it disdainfully.<\/p>\n

(…)<\/p>\n

Everything great, good, efficient, fair, and honorable is \u2018white\u2019; everything mean, bad, blundering, cheating, and dishonorable is \u2018yellow\u2019; a bad taste is \u2018brown\u2019 and the devil is \u2018black.\u2019 The changes of this theme are continually rung in picture and story, in newspaper heading and moving-picture, in sermon and school book, until, of course, the King can do no wrong, \u2013 a White Man is always right and a Black Man has no rights which a white man is bound to respect.\u00a0\u00bb<\/p>\n

\u00ab\u00a0La d\u00e9couverte de la blancheur personnelle des peuples du monde est une chose tr\u00e8s moderne, et une chose par laquelle a \u00e9t\u00e9 revendiqu\u00e9e \u00ab\u00a0la propri\u00e9t\u00e9 de la terre pour toujours\u00a0\u00bb, o\u00f9 \u00ab\u00a0le monde noir n’obtient que la pitance que le monde blanc lui jette avec d\u00e9dain…<\/p>\n

(…)<\/p>\n

Tout ce qui est grand, bon, efficace, juste et honorable est \u00ab\u00a0blanc\u00a0\u00bb ; tout ce qui est m\u00e9chant, mauvais, maladroit, tricheur et d\u00e9shonorant est \u00ab\u00a0jaune\u00a0\u00bb ; le mauvais go\u00fbt est \u00ab\u00a0brun\u00a0\u00bb et le diable est \u00ab\u00a0noir\u00a0\u00bb. Les variations de ce th\u00e8me sont continuellement reprises dans les images et les histoires, dans les titres de journaux et les images anim\u00e9es, dans les sermons et les livres d’\u00e9cole, jusqu’\u00e0 ce que, bien s\u00fbr, le roi ne puisse pas faire de mal, que l’homme blanc ait toujours raison et que l’homme noir n’ait pas de droits qu’un homme blanc soit tenu de respecter.\u00a0\u00bb<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Je suis boulevers\u00e9. C’est un des plus beaux films qu’il m’ait \u00e9t\u00e9 donn\u00e9 de voir. We Grown now, de la r\u00e9alisatrice Minhal Baig, suit la trace deux gamins qui vivent dans cette cit\u00e9, Cabrini-Green, \u00e0 Chicago, qui est devenue un des symboles de la s\u00e9gr\u00e9gation raciale aux \u00c9tats-Unis. Que la po\u00e9tesse Dorren Ambrose-Van Lee qualifie…<\/p>\n Read More<\/span> We Grown now (Minhal Baig)<\/span><\/a>","protected":false},"author":1,"featured_media":5264,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"Layout":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[61,91],"tags":[],"class_list":["entry","author-danah","post-5262","post","type-post","status-publish","format-standard","has-post-thumbnail","category-chronique","category-racisme"],"yoast_head":"\nWe Grown now (Minhal Baig) - Outside Dana Hilliot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/outsiderland.com\/danahilliot\/we-grown-now-minhal-baig\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"We Grown now (Minhal Baig) - Outside Dana Hilliot\" \/>\n<meta property=\"og:description\" content=\"Je suis boulevers\u00e9. C’est un des plus beaux films qu’il m’ait \u00e9t\u00e9 donn\u00e9 de voir. We Grown now, de la r\u00e9alisatrice Minhal Baig, suit la trace deux gamins qui vivent dans cette cit\u00e9, Cabrini-Green, \u00e0 Chicago, qui est devenue un des symboles de la s\u00e9gr\u00e9gation raciale aux \u00c9tats-Unis. 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