{"id":4893,"date":"2024-01-09T16:19:17","date_gmt":"2024-01-09T16:19:17","guid":{"rendered":"https:\/\/outsiderland.com\/danahilliot\/?p=4893"},"modified":"2024-02-14T15:19:01","modified_gmt":"2024-02-14T15:19:01","slug":"mise-a-disposition-de-mes-livres-sous-licence-libre","status":"publish","type":"post","link":"https:\/\/outsiderland.com\/danahilliot\/mise-a-disposition-de-mes-livres-sous-licence-libre\/","title":{"rendered":"Mise \u00e0 disposition de mes livres sous licence (pas vraiment) libre (\u00e0 ce qu’il para\u00eet)"},"content":{"rendered":"

https:\/\/outsiderland.com\/outsiderland\/<\/a><\/p>\n

En mettant ces livres \u00e0 disposition des lecteurs, en les republiant sous une licence \u00ab\u00a0ouverte\u00a0\u00bb, je suis en proie \u00e0 des sentiments partag\u00e9s.<\/p>\n

Une partie de moi \u00e9prouve une certaine peine \u00e0 renoncer aux mondes litt\u00e9raires traditionnels, celui des \u00e9diteurs et des libraires, et la notori\u00e9t\u00e9 susceptible de les accompagner. Mais une autre partie \u00e9prouve un soulagement, et m\u00eame une sorte de joie, \u00e0 l’id\u00e9e d’\u00e9crire \u00e0 ma guise, sans aucunement me soucier du jugement des \u00e9diteurs. Et, comme r\u00e9pondait John Langshaw Austin, un philosophe que j’ai beaucoup aim\u00e9 nagu\u00e8re, \u00e0 un journaliste qui lui demandait pourquoi il publiait si peu : \u00ab\u00a0Il y a bien assez de livres comme \u00e7a !\u00a0\u00bb<\/p>\n

Trois de ces livres (Un D\u00e9barras<\/em>, Sauver sa peau<\/em> et Alpestres<\/em>), cependant, ont \u00e9t\u00e9 publi\u00e9s (entre 2014 et 2016) : chez L’Orpailleur<\/a>, une remarquable petite maison d’\u00e9dition tenue avec talent par mon ami Christophe Havot (lui-m\u00eame remarquable \u00e9crivain) : il reste encore des exemplaires de ces livres, et il m’a autoris\u00e9 \u00e0 diffuser librement les versions num\u00e9riques : merci \u00e0 lui !<\/p>\n

L’\u00c9mancipation des domestiques,<\/em> un recueil de nouvelles, a \u00e9t\u00e9 publi\u00e9 lui aussi, mais chez un \u00e9diteur dont le s\u00e9rieux laissait \u00e0 d\u00e9sirer. J’ai donc corrig\u00e9 et am\u00e9lior\u00e9 le texte (avec l’aide de mes amis, notamment Gr\u00e9gory Haleux<\/a>) et en donne aujourd’hui une version beaucoup moins fautive.<\/p>\n

Les deux derniers n’ont pas suscit\u00e9 l’enthousiasme des \u00e9diteurs, malgr\u00e9 le soin que j’ai pris \u00e0 la choisir et \u00e0 leur \u00e9crire personnellement. Sans doute, comme il est d’usage quand on est d\u00e9bord\u00e9 par tous ces tapuscrits re\u00e7us, se contente-t-on de lire les trois premi\u00e8res pages. Je n’\u00e9cris pas des livres qui se d\u00e9voilent au bout de trois pages. Je n’\u00e9cris pas des livres pour int\u00e9resser les \u00e9diteurs. L’\u00e9conomie de mes textes rel\u00e8ve d’une n\u00e9cessit\u00e9 et d’une coh\u00e9rence qui leur est propre, ce qui n’a rien d’original en soi. Tant pis pour eux et tant pis pour moi.<\/p>\n

Moldanau<\/em> est sans doute mon texte le plus litt\u00e9raire et le plus ambitieux. J’y ai consacr\u00e9 trois ans de ma vie. Je suis persuad\u00e9 que s’il avait \u00e9t\u00e9 compos\u00e9 dans une autre langue (au hasard : l’allemand), et \u00e0 une autre \u00e9poque (au hasard, les ann\u00e9es 60 et 70 du si\u00e8cle dernier), il aurait suscit\u00e9 quelque attention. Mais je crois que les mondes litt\u00e9raires fran\u00e7ais ont d’autres chats \u00e0 fouetter que ces ouvrages alambiqu\u00e9s, ces pseudo-romans qui s’interrogent sur la litt\u00e9rature elle-m\u00eame, l’\u00eatre et le n\u00e9ant, et menacent de d\u00e9truire le r\u00e9cit qu’ils promettaient (dans les trois premi\u00e8res pages donc !). Peu importe. Comme bien des \u00e9crivains, je porte avec moi un monde litt\u00e9raire imaginaire dans lequel je converse avec des pairs qui ont emprunt\u00e9 avant moi les sentiers que je fraye \u00e0 mon tour. Et cela me suffit.<\/p>\n

Il m’a fallu seulement trois mois pour r\u00e9diger Perturbations sur les hauts-plateaux<\/em>, une sorte de polar pr\u00e9-apocalyptique, qui met en sc\u00e8ne un d\u00e9tective priv\u00e9 dans le Cantal en 2035. J’avais bon espoir que cet ouvrage d\u00e9lib\u00e9r\u00e9ment \u00ab\u00a0grand public\u00a0\u00bb soit accept\u00e9 dans les maisons d’\u00e9ditions sp\u00e9cialis\u00e9es dans les litt\u00e9ratures de genre. J’avais tort. Le style n’a pas grand chose en commun avec celui de mes pr\u00e9c\u00e9dents textes, mais on retrouve au fil des r\u00e9cits mes obsessions habituelles. Et surtout j’y ai mis beaucoup de mes sp\u00e9culations sur la catastrophe climatique en cours, en essayant justement de composer un r\u00e9cit qui assume le monde \u00e0 venir, d’une mani\u00e8re pour tout dire assez r\u00e9aliste. De fait, en le relisant, je me rends compte que sous sa l\u00e9g\u00e8ret\u00e9, le r\u00e9cit aborde des questions morales et politiques d’importance, quoique avec pas mal d’ironie.<\/p>\n

Voil\u00e0. Nous sommes en 2024. Je continuerai \u00e0 \u00e9crire bien entendu – que pourrais-je faire d’autre ?<\/p>\n

Vous, lectrices et lecteurs, pourrez les lire si le c\u0153ur vous en dit, et surtout, partagez et faites circuler les versions num\u00e9riques ! Ces textes procureront peut-\u00eatre, qui sait, du plaisir \u00e0 quelques esprits. (et s’ils vous ont plu, n’h\u00e9sitez pas \u00e0 m’\u00e9crire pour m’en faire part)<\/p>\n

 <\/p>\n\n\n\n\n\n
\n

\"dana<\/a>
Dana Hilliot, Perturbations sur les hauts-plateaux (2023)<\/figcaption><\/figure><\/td>\n
\n

\"dana<\/a>
Dana Hilliot, Moldanau (2023)<\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"dana<\/a>
Dana Hilliot, L’\u00c9mancipation des domestiques (2019)<\/figcaption><\/figure><\/td>\n
\n

\"dana<\/a>
Dana Hilliot, Alpestres (2016)<\/figcaption><\/figure><\/td>\n<\/tr>\n
\n

\"Dana<\/a>
Dana Hilliot, Sauver sa peau (2016)<\/figcaption><\/figure><\/td>\n
\n

\"dana<\/a>
Dana Hilliot, Un D\u00e9barras (2014)<\/figcaption><\/figure><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

https:\/\/outsiderland.com\/outsiderland\/ En mettant ces livres \u00e0 disposition des lecteurs, en les republiant sous une licence \u00ab\u00a0ouverte\u00a0\u00bb, je suis en proie \u00e0 des sentiments partag\u00e9s. Une partie de moi \u00e9prouve une certaine peine \u00e0 renoncer aux mondes litt\u00e9raires traditionnels, celui des \u00e9diteurs et des libraires, et la notori\u00e9t\u00e9 susceptible de les accompagner. Mais une autre partie…<\/p>\n Read More<\/span> Mise \u00e0 disposition de mes livres sous licence (pas vraiment) libre (\u00e0 ce qu’il para\u00eet)<\/span><\/a>","protected":false},"author":1,"featured_media":4902,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"Layout":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["entry","author-danah","post-4893","post","type-post","status-publish","format-standard","has-post-thumbnail","category-publications"],"yoast_head":"\nMise \u00e0 disposition de mes livres sous licence (pas vraiment) libre (\u00e0 ce qu'il para\u00eet) - Outside Dana Hilliot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/outsiderland.com\/danahilliot\/mise-a-disposition-de-mes-livres-sous-licence-libre\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mise \u00e0 disposition de mes livres sous licence (pas vraiment) libre (\u00e0 ce qu'il para\u00eet) - Outside Dana Hilliot\" \/>\n<meta property=\"og:description\" content=\"https:\/\/outsiderland.com\/outsiderland\/ En mettant ces livres \u00e0 disposition des lecteurs, en les republiant sous une licence \u00ab\u00a0ouverte\u00a0\u00bb, je suis en proie \u00e0 des sentiments partag\u00e9s. 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