le site de l’\u00e9diteur<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"ALPESTRES (L’Orpailleur, 2016) Dans cet \u00e9tonnant petit livre, un homme actuel se souvient. Il tente de retrouver ses d\u00e9parts par divers moyens et chemins, dont l\u2019\u00e9criture. Son r\u00e9cit, au demeurant, part d\u2019un repas de famille, o\u00f9 des histoires sont racont\u00e9es. Lui, il reste seul. Il \u00e9crit. Il \u00e9voque une voiture vol\u00e9e, l\u2019\u00e9ventualit\u00e9 de travailler au…<\/p>\n Read More<\/span> *ALPESTRES (2016)*<\/span><\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"Layout":"","footnotes":""},"categories":[],"tags":[],"class_list":["entry","author-danah","post-70","page","type-page","status-publish"],"yoast_head":"\n*ALPESTRES (2016)* - Outside Dana Hilliot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/outsiderland.com\/danahilliot\/alpestres-2016\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"*ALPESTRES (2016)* - Outside Dana Hilliot\" \/>\n<meta property=\"og:description\" content=\"ALPESTRES (L’Orpailleur, 2016) Dans cet \u00e9tonnant petit livre, un homme actuel se souvient. 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![\"Couverture-Alpestres-recto-pour-blog\"](\"https:\/\/outsiderland.com\/danahilliot\/wp-content\/uploads\/2016\/03\/Couverture-Alpestres-recto-pour-blog.jpg\")
<\/a>Dans cet \u00e9tonnant petit livre, un homme actuel se souvient. Il tente de retrouver ses d\u00e9parts par divers moyens et chemins, dont l\u2019\u00e9criture. Son r\u00e9cit, au demeurant, part d\u2019un repas de famille, o\u00f9 des histoires sont racont\u00e9es. Lui, il reste seul. Il \u00e9crit. Il \u00e9voque une voiture vol\u00e9e, l\u2019\u00e9ventualit\u00e9 de travailler au chantier d\u2019une station, des lieux alpestres, des personnages\u2026 Il remonte plus t\u00f4t, puis plus t\u00f4t encore, il va \u00e0 la recherche d\u2019un temps pas perdu, mais pas retrouv\u00e9, qui existe \u00e0 vif par l\u2019\u00e9criture, fait boucle, met en marche les phrases, comme le lecteur, qui part, heureusement seul, \u00e0 travers ces Alpestres, et dans un grand morceau de France, famili\u00e8re et r\u00e9invent\u00e9e, toujours ant\u00e9rieure, et \u00e0 venir, qui est la langue, r\u00e9guli\u00e8re et folle \u00e0 force de rythme, par l\u2019insistante aventure d\u2019un d\u00e9sir d\u2019\u00e9crire. Bien entendu, des femmes paraissent. H\u00e9l\u00e8ne naturellement, qui donne un seul baiser au narrateur, mais qu\u2019il manque en raison de son impatience et d\u2019une derni\u00e8re nuit qu\u2019elle accorde \u00e0 un homme. Sa m\u00e8re, \u00e9videmment, \u00e0 qui il demande paroles, comme au fond de la mort. On songe \u00e0 Ulysse, sans mythologie, avec chemin retour, ressacs, vertiges, et luttes r\u00e9elles. Tout se lit, se retourne, se perd et se trouve, mobilis in mobile, dans le texte, qui se boucle sur un repas de famille, qui est l\u2019origine et le cours du monde, puisqu\u2019il faut toujours se mettre \u00e0 table avec l\u2019intime lointain pour pouvoir ne pas dire, donc \u00e9crire, jusqu\u2019aux derniers mots,<\/em> \u00ab l\u2019incroyable quand on y pense \u00bb. (Yves Le Pestipon)<\/strong><\/p>\n